Tuesday, January 9th 2018
First Concert of The Year:
Like dating, don’t go to concerts with certain expectations.
I had the chance to see St. Vincent 2014 and gave up the tickets since I was gigging the same night (story of my life). I decided I wasn’t missing her this time. I’ve been a fan of hers since I saw her on The Colbert Report years ago with David Byrne. I was expecting a great show, yet, this tour was not what I had expected.
St. Vincent (Annie Clark) is a talented singer and electric guitar player, taking risks with this tour. I’m not talking about bold fashion choices either, as she appeared onstage in a shocking pink one piece with thigh high heeled boots (also pink), no one else onstage, the curtain closed, quite an entrance. Later on in the set she changed into an all silver outfit with super cute matching anklet boots. The woman can rock an outfit (and has an incredible waxer). Her skin against her raven hair is flawless. Truly, a beauty.
Her risk was the format of her show. St. Vincent held her microphone to her mouth and sang her first song. All of a sudden a backing track began accompanying her. I just figured it was her homage to “Stop Making Sense,” minus the boombox. She was alone on the side of the stage, and I thought (expected) as she drew closer the the center of the stage, the curtain would open, revealing band members one by one, “building up to an orgasm of sound” to quote the late Sir George Martin. I was completely wrong.
If Karaoke has to exist (I have my own issues with it, nothing to do with people singing and having fun, but more as an issue of phasing out live music- a topic for another time), leave it in the bar and keep it out of live concert settings. St. Vincent singing to pre-recorded tracks was disappointing and beneath someone with her talent. I’m all for solo shows, but it would have been more interesting had she even looped her tracks and backup vocals.
As I stood on the floor Stage AE, I looked around wondering if I was the only person who was confused. Is this what live music has come to, just playing out to a crowd with canned music? Am I showing my age, upset that there’s no band? Am I just being cynical, knowing I’ll never pull in an audience like that with original music of mine that will probably never see the light of day?
These thoughts swirling around my brain, I looked at the two friends I was standing with and instantly felt relieved; I wasn’t the only one who was confused. Throughout songs we asked each other, “Am I missing something?” “Is the band behind the curtain?” “Is she even playing?” “Why are those backup tracks so loud?”
We were definitely missing something, besides the band, as they weren’t behind the curtain. St. Vincent was playing her guitar, but it was difficult hearing her licks and voice with loud back tracks. What I could hear of her lead guitar and voice I enjoyed, I just wanted (expected) more of the live experience.
I hope the next time St. Vincent tours she plays an acoustic set or plays with a band. She’s a talented lady who is above canned music. I do applaud her for trying something new. I will continue to listen to her music as well.
Like dating, don’t go to concerts with certain expectations. Enjoy both experiences for what they are: rewarding, confusing, disappointing, and always worth the risk.
St. Vincent (Annie Clark) is a talented singer and electric guitar player, taking risks with this tour. I’m not talking about bold fashion choices either, as she appeared onstage in a shocking pink one piece with thigh high heeled boots (also pink), no one else onstage, the curtain closed, quite an entrance. Later on in the set she changed into an all silver outfit with super cute matching anklet boots. The woman can rock an outfit (and has an incredible waxer). Her skin against her raven hair is flawless. Truly, a beauty.
Her risk was the format of her show. St. Vincent held her microphone to her mouth and sang her first song. All of a sudden a backing track began accompanying her. I just figured it was her homage to “Stop Making Sense,” minus the boombox. She was alone on the side of the stage, and I thought (expected) as she drew closer the the center of the stage, the curtain would open, revealing band members one by one, “building up to an orgasm of sound” to quote the late Sir George Martin. I was completely wrong.
If Karaoke has to exist (I have my own issues with it, nothing to do with people singing and having fun, but more as an issue of phasing out live music- a topic for another time), leave it in the bar and keep it out of live concert settings. St. Vincent singing to pre-recorded tracks was disappointing and beneath someone with her talent. I’m all for solo shows, but it would have been more interesting had she even looped her tracks and backup vocals.
As I stood on the floor Stage AE, I looked around wondering if I was the only person who was confused. Is this what live music has come to, just playing out to a crowd with canned music? Am I showing my age, upset that there’s no band? Am I just being cynical, knowing I’ll never pull in an audience like that with original music of mine that will probably never see the light of day?
These thoughts swirling around my brain, I looked at the two friends I was standing with and instantly felt relieved; I wasn’t the only one who was confused. Throughout songs we asked each other, “Am I missing something?” “Is the band behind the curtain?” “Is she even playing?” “Why are those backup tracks so loud?”
We were definitely missing something, besides the band, as they weren’t behind the curtain. St. Vincent was playing her guitar, but it was difficult hearing her licks and voice with loud back tracks. What I could hear of her lead guitar and voice I enjoyed, I just wanted (expected) more of the live experience.
I hope the next time St. Vincent tours she plays an acoustic set or plays with a band. She’s a talented lady who is above canned music. I do applaud her for trying something new. I will continue to listen to her music as well.
Like dating, don’t go to concerts with certain expectations. Enjoy both experiences for what they are: rewarding, confusing, disappointing, and always worth the risk.
Double Header Saturday!
January 6th 2018
First Gig(s) of The New Year
I’m starting off the new year with a bang: I’m back to the grind with two gigs in one day! Katie Simone and I had a blast at Leaf & Bean in Pittsburgh’s historic Strip District. A coffee house and cigar bar, we were shocked that this BYOB hangout was packed on a such a frigid afternoon. We did our usual duo thing, each of us soloing in between duets. Katie and I look forward to a new year of more music coming everyone’s way.
The evening crept up on me as I headed down the street to the new location of Pittsburgh’s a East End Brewery for a private function with Slim Forsythe of Lawrenceville’s Nied’s Hotel. Two gigs in one day and in the same neighborhood is a dream come true for any musician! Slim and I learned a few new duets and sang our regular country tunes, a terrific little warmup for our next show at Nied’s. It’s going to be Slim’s Birthday Bash this coming Friday, stay tuned for more music news.
The evening crept up on me as I headed down the street to the new location of Pittsburgh’s a East End Brewery for a private function with Slim Forsythe of Lawrenceville’s Nied’s Hotel. Two gigs in one day and in the same neighborhood is a dream come true for any musician! Slim and I learned a few new duets and sang our regular country tunes, a terrific little warmup for our next show at Nied’s. It’s going to be Slim’s Birthday Bash this coming Friday, stay tuned for more music news.
Monday, January 1, 2018
Happy New Year
Here’s to a new year of good music and good vocal hygiene! 2017 was a terrific year for me and I’m blessed to do what I love! See you all in 2018!
Saturday, December 30th
Last Show of 2017
I played my last show of 2017 with the talented Joe Golden on New Year’s Eve EVE at Oliver’s Pourhouse and we caught some footage. Man, I need a camera person. I had a great time playing with him as usual and look forward to more shows with Joe and other talented musicians in 2018!
Thursday 12/14/2017
Last Happy Hour Gig of The Year at Nino’s Restaurant
‘Tis the season! It’s my last gig at Nino’s Restaurant for the year. What a great year full of happy hours, garden parties, and an awesome Halloween party. Looking forward to coming back in 2018 to spend time with incredible patrons, staff, and that food (glorious food)!
thelaurelgarden.com
thelaurelgarden.com
Sunday 12/10/17
Reflecting Over The Past Week
What a week! So I started my week going to a show at The Palace Theatre, 80s soft rock god, Michael Bolton. I’ve never been a fan of his, but you can bet I knew every word to his songs. His band was terrific, and he sounded exactly the same. And here he is singing 15 feet away from me (no that’s not me in the photo, I’m behind the camera):
I also played some great gigs over the weekend: I soloed at Nemacolin Woodlands Resort at the Lady Luck Casino and had a fun time playing with Facebook live on my music page. Feel free to check out the less-than-perfect filming at facebook.com/janeCwest
Saturday after I played with Pittsburgh own Katie Simone at Leaf & Bean, a great cigar bar and coffee shop located in The Strip District. The evening hit and I was honored to play for the owner Carol, of Carol and Dave's Roadhouse in Ligonier. It was her 60 birthday I not only got to eat some terrific food (thanks to Dave, the chef of the establishment), I was able to get everyone singing along to classics like "Those Were The Days" and "For What It's Worth" as well as other tunes.
I'm looking forward to this upcoming week: A night with West Holliday Trip at Nino's and then another night with Joe Golden at Gray Goose. Be sure to check back for details!
Saturday after I played with Pittsburgh own Katie Simone at Leaf & Bean, a great cigar bar and coffee shop located in The Strip District. The evening hit and I was honored to play for the owner Carol, of Carol and Dave's Roadhouse in Ligonier. It was her 60 birthday I not only got to eat some terrific food (thanks to Dave, the chef of the establishment), I was able to get everyone singing along to classics like "Those Were The Days" and "For What It's Worth" as well as other tunes.
I'm looking forward to this upcoming week: A night with West Holliday Trip at Nino's and then another night with Joe Golden at Gray Goose. Be sure to check back for details!
Friday 12/01/17
World AIDS Day
Stonewater with Joe Golden
Nice Friday night with Joe Golden, the first of December, also know as World AIDS Day. I try not to get too preachy on my beliefs when it comes to work, but I do think it’s still relevant and important to acknowledge AIDS Awareness. I wear this shirt every year on December first since I worked for MAC cosmetics, a company who does a lot for people living with HIV/AIDS. Look them up to find out what they do. Several of my favorite artists and musicians have been affected by this illness (Keith Haring, Freddie Mercury just to name two) and it’s also hit me close to home, after finding out about loved ones. Keep getting tested and staying safe.
Back to the music: Joe and I have been playing more country and bluegrass these days (WAY easier on my poor pipes than rock) and throwing a little Motown in too. I’m so impressed with my little Silvertone, every time I hear it. Joe, of Westmoreland Strings Workshop, set this guitar up for me and installed a pickup in it and it sounds as it should have sounded when it was sold in Sears back in 1961. Stay tuned for more songs and for more dates. Joe and I will be back at The Gray Goose this month. He’ll also be joining me at Oliver’s Pourhouse at the end of the month. Details soon.
Back to the music: Joe and I have been playing more country and bluegrass these days (WAY easier on my poor pipes than rock) and throwing a little Motown in too. I’m so impressed with my little Silvertone, every time I hear it. Joe, of Westmoreland Strings Workshop, set this guitar up for me and installed a pickup in it and it sounds as it should have sounded when it was sold in Sears back in 1961. Stay tuned for more songs and for more dates. Joe and I will be back at The Gray Goose this month. He’ll also be joining me at Oliver’s Pourhouse at the end of the month. Details soon.
Sunday Funday 11/26/17
Music With Yinz
Terrific day in the ‘Burgh for music: I was the “featured artist” at Hambone’s in Lawrenceville at brunch, and then crashed Slim Forsythe’s (pictured below) gig at Get Hip Records in the North Shore while spending the afternoon looking at records with singer/songwriter Katie Simone!
Saturday 11/25/17
Looking Back on Participating Shiva Skydriver’s Album Series This Past Year
This has been an incredible year, playing with Shiva Skydriver for their album series. February we played Rumours (Fleetwood Mac), April we played Led Zeppelin 2. July was Who’s Next and Black Friday was probably my favorite album out of all of them: David Bowie’s The Rise and Fall of Ziggy Stardust and The Spiders From Mars. We also had a tribute to Prince after the Bowie album. Below are links and photos from the last show.
It has been a lot of hard work but a ton of fun with these guys. Each album has been challenging but has made me a better musician: Never ever would I thought I’d be playing guitars riffs on Zeppelin 2, that’s an opportunity not everyone gets (especially with top notch musicians). With Ziggy, I had a blast banging out on the keyboard finally feeling some confidence on my simple keys skills. I learned to stop beating myself up and just play an instrument as best as I can! It’s amazing how much fun one can have when you ignore self doubt.
Playing electric guitar onstage was another challenge for me, and I feel at ease with such a beast (as heavy as it may be, seriously, how does Ed Skero make it look so easy?!?). It’s taught me that rhythm guitar is just as important as any other instrument when “plugging in” and I accomplished that during “Who’s Next” back in July. It’s also changed my approach at the acoustic guitar, making me feel like a real guitar player.
Fleetwood Mac’s Rumours: the first of the album series, I don’t know what to say. I’ve never been the biggest FM fan, but have always enjoyed them. I now have a new respect for this album; that band made their album sound effortless. It’s not any easy album to cover. Oh sure, I loved singing the incredible harmonies (the less difficult aspect for an aspiring back up singer), but the keyboard stuff (YIKES) and the rhythmic guitar playing WHILE singing backup was definitely new to me. But we have played this album twice now and are planning future Rumours performances. It’s now one of my favorite albums of all times.
The whole album concept and process was made less stressful and super fun with Ed Skero and Kelsey James of Shiva Skydriver, two incredibly talented and kind people. My first full band show was fall of 2016 when I got to play their own original album (Shiva Skydriver, available on iTunes) with them live in its entirety. Maybe that was the spark of an idea for an album series??
I’m grateful to be Ed and Kelsey’s friend and for their confidence in me. They know how hard I am on myself and they always believed in me ever step of the way. I’ve played acoustic and electric shows with them as trios and duos on top of the full band shows for at least three years and I can’t wait to see what they have in store for 2017!
It has been a lot of hard work but a ton of fun with these guys. Each album has been challenging but has made me a better musician: Never ever would I thought I’d be playing guitars riffs on Zeppelin 2, that’s an opportunity not everyone gets (especially with top notch musicians). With Ziggy, I had a blast banging out on the keyboard finally feeling some confidence on my simple keys skills. I learned to stop beating myself up and just play an instrument as best as I can! It’s amazing how much fun one can have when you ignore self doubt.
Playing electric guitar onstage was another challenge for me, and I feel at ease with such a beast (as heavy as it may be, seriously, how does Ed Skero make it look so easy?!?). It’s taught me that rhythm guitar is just as important as any other instrument when “plugging in” and I accomplished that during “Who’s Next” back in July. It’s also changed my approach at the acoustic guitar, making me feel like a real guitar player.
Fleetwood Mac’s Rumours: the first of the album series, I don’t know what to say. I’ve never been the biggest FM fan, but have always enjoyed them. I now have a new respect for this album; that band made their album sound effortless. It’s not any easy album to cover. Oh sure, I loved singing the incredible harmonies (the less difficult aspect for an aspiring back up singer), but the keyboard stuff (YIKES) and the rhythmic guitar playing WHILE singing backup was definitely new to me. But we have played this album twice now and are planning future Rumours performances. It’s now one of my favorite albums of all times.
The whole album concept and process was made less stressful and super fun with Ed Skero and Kelsey James of Shiva Skydriver, two incredibly talented and kind people. My first full band show was fall of 2016 when I got to play their own original album (Shiva Skydriver, available on iTunes) with them live in its entirety. Maybe that was the spark of an idea for an album series??
I’m grateful to be Ed and Kelsey’s friend and for their confidence in me. They know how hard I am on myself and they always believed in me ever step of the way. I’ve played acoustic and electric shows with them as trios and duos on top of the full band shows for at least three years and I can’t wait to see what they have in store for 2017!
Musicians Following Musicians on Social Media
I love Twitter, it’s better than Facebook. If you’re into following politics, sports, and comedians then Twitter is for you. Musicians too. I’ve had John Mayer follow me for a bit years ago, but that was before I was really into tweeting and he unfollowed me. Now I tweet more than I post on Facebook, but I post less music stuff on my Twitter account. I do have a variety of followers on my preferred social media nowadays
A few months ago, Tom Petty followed me, which was an honor. I was so sad to read about his death and the drama the surrounded the announcement, his poor family.
This afternoon I decided to follow Margo Price, the woman in country music I’ve adored for the last two years. Her voice with those political and straightforward lyricsof hers make me want to be her, I can’t get enough of her musicianship. I also agree with a lot of her political opinions, so of course I love her even more.
Well, guess what? She followed me back on Twitter, to my surprise! I was so excited! It may not be much to anyone else, but how flattering. I hope to meet her one day and for now I’ll continue to cover her songs at gigs (hopefully she won’t mind)!
A few months ago, Tom Petty followed me, which was an honor. I was so sad to read about his death and the drama the surrounded the announcement, his poor family.
This afternoon I decided to follow Margo Price, the woman in country music I’ve adored for the last two years. Her voice with those political and straightforward lyricsof hers make me want to be her, I can’t get enough of her musicianship. I also agree with a lot of her political opinions, so of course I love her even more.
Well, guess what? She followed me back on Twitter, to my surprise! I was so excited! It may not be much to anyone else, but how flattering. I hope to meet her one day and for now I’ll continue to cover her songs at gigs (hopefully she won’t mind)!
Saturday 11/04/2017
Next Possible Challenge
I came across this article over my morning coffee and I think it applies to more than string players., take a read:
http://stringsmagazine.com/hilary-hahn-commits-to-practicing-for-100-days-in-a-row/
Any serious musician practices/plays every day, it’s as routine as brushing your teeth. Why not post about it?
Challenging to post 100 days of practice doesn’t seem as scary as it sounds, perhaps because in my current challenge I am posting my first take of each song. We are only human and mistakes happen. How else are we going to improve?
Of course, I seem pretty optimistic on this next challenge while I’m only entering day four of my current one. Maybe I’ll change my mind after this first one, or maybe I’ll find a challenge that 50 days before I tackle 100. Either way, I’ll continue to practice whether or not I post about it.
http://stringsmagazine.com/hilary-hahn-commits-to-practicing-for-100-days-in-a-row/
Any serious musician practices/plays every day, it’s as routine as brushing your teeth. Why not post about it?
Challenging to post 100 days of practice doesn’t seem as scary as it sounds, perhaps because in my current challenge I am posting my first take of each song. We are only human and mistakes happen. How else are we going to improve?
Of course, I seem pretty optimistic on this next challenge while I’m only entering day four of my current one. Maybe I’ll change my mind after this first one, or maybe I’ll find a challenge that 50 days before I tackle 100. Either way, I’ll continue to practice whether or not I post about it.
Thursday 11/02/2017
”Music Smiles” Program
of The Sonny Pugar Memorial
I had a terrific time at Forbes Hospital in Monroeville this afternoon playing bedside for inpatient oncology. It was my second time soloing at Forbes and third performance for Sonny Pugar Memorial’s program called “Music Smiles.” Making someone’s hospital stay a little more comfortable through music is a wonderful feeling I wish everyone could experience, there really aren’t any words to describe performing so intimately. But I love doing it, making someone happy with a song puts a smile on my face. Today’s requests were Willie Nelson, Tom Petty, and Fleetwood Mac (all of my favorites). I even had a request to come back for the holiday season, which was so sweet (who doesn’t love singing the snowy seasonal songs?) Also, I got to pet a service dog, after I asked permission, of course, while I played and that was a definite plus!
Please contact Annie at www.sonnypugar.org or go through Facebook @thesonnypugarmemorial if you would like to donate to this nonprofit organization or get more information on the “Music Smiles” program.
Please contact Annie at www.sonnypugar.org or go through Facebook @thesonnypugarmemorial if you would like to donate to this nonprofit organization or get more information on the “Music Smiles” program.
Saturday 10/28/2017
Great Wedding Gig Brings New Project Together.
Meredith (of West Holliday Trip and Sweet Judys) has invited me to be a part of a new project for weddings called The Coctail Hour. Yes, the “k” is missing, for branding purposes. With Dave Walters on percussion, we had a great trio going during a weddings cocktail hour. I look forward to working in this setting again with these two talents. You can always contact me via email or phone for booking info too!
Thursday 10/26/2017
Halloween Party at Nino’s
I had a blast performing with Shiva Skydriver as I always do, and at one of my favorite places on earth, Nino’s! Below are photos of my “Stevie Nicks” look, which is hard to achieve when you are 5’10” and a brunette. Check out my “gold dust” too!
Wednesday 10/25/2017
Why do musicians take bathroom selfies pre-gig?
I may be too old for selfies, but I can’t resist this ritual before a gig. Here are two, because I’m that vain. Also, I posted the second one because Gramma would have wanted one of me smiling.
Besides the selfies, I must mention that I had a great time playing a private black tie event at the Oakmont Country Club in Pittsburgh tonight.
Besides the selfies, I must mention that I had a great time playing a private black tie event at the Oakmont Country Club in Pittsburgh tonight.
Tuesday 10/24/2017
An idea for a music based show on a music based tv station (what a concept in 2017).
10/22/2017
Sunday Funday
As luck would have it, I saw my friend Mark riding his motorcycle through town. He stopped and we had a nice chat, as we usually do. Mark is a writer, works on vintage cars, and talking about music as much as I do. He’s also an avid record collector and always has really cool music related stories from the 80s he shares with me.
Mark was with a friend recently who was giving away a few things and one of them was the pin pictured below. It’s a pin from the 70s all the way from Russia. Mark was kind enough to think of me and gave it to me before he slapped his helmet back on and rode back into the Laurel Highlands scenery. I’m not sure what kind of character it is, but I absolutely love it: I’m telling myself he’s playing slap acoustic bass, if anyone even does that. It’s currently found a place in my music office with my other trinkets.
Mark was with a friend recently who was giving away a few things and one of them was the pin pictured below. It’s a pin from the 70s all the way from Russia. Mark was kind enough to think of me and gave it to me before he slapped his helmet back on and rode back into the Laurel Highlands scenery. I’m not sure what kind of character it is, but I absolutely love it: I’m telling myself he’s playing slap acoustic bass, if anyone even does that. It’s currently found a place in my music office with my other trinkets.
10/21/2017
Double Header Saturday
Saturday was six hours of live music for this songbird in Westmoreland County! I spent the October beautiful afternoon (which felt like summer) at Vinoski Winery in Belle Vernon with Joe Golden outside on their patio. Joe brought my Silvertone to me that he fixed up and it was the first time I had a chance to play it in public. Wow, does it sound incredible, especially with Joe playing over me.
Later that evening West Holliday Trip made a return to Oliver’s Pourhouse in downtown Greensburg, playing every request that was shouted out. We had a great bunch of people who spilled in from the Palace Theatre and we had a terrific time with everyone. Here are a few tunes from the day!
Later that evening West Holliday Trip made a return to Oliver’s Pourhouse in downtown Greensburg, playing every request that was shouted out. We had a great bunch of people who spilled in from the Palace Theatre and we had a terrific time with everyone. Here are a few tunes from the day!
Friday 10/20/2017
Closing Out Cider Garden Season
It was a bittersweet night at Arsenal Cider House, being the last date of the season with West Holliday Trip. But what a night, I saw so many folks: some from Nied’s Hotel, some of my Edinboro family, and I met some new friends too! One of my favorite venues to play, I can’t wait to come back in the spring. I’m sure I’ll be stopping by before next season, their cider is too good to stay away for too long!
Music Highlights of
Fort Ligonier Days 2017
Another successful weekend of music. For full videos of the weekend and other performances, go to my channnel, Not East Music and subscribe.
Friday 10/13/2017
In Memory of
Mrs. Dixie Hurt
This morning I played probably the hardest gig I’ve ever been asked to play: a funeral. My fourth grade teacher, Mrs. Dixie Hurt passed away on Monday. I haven’t played at a funeral in twenty years and this was my first one performing solo.
Mrs. Hurt was one of the neatest, funniest, sweetest (and prettiest... wow, I remember wanting blond hair, pink lipstick, and a wardrobe like hers) ladies I’d ever come across. She had some cool ways of teaching us, and I credit her for me knowing my state capitals. She had cleaver ways of remembering things: “Juno (d’you know) the capital of Alaska?”
In junior high her husband was my vice principal, Mr. Chuck Hurt. I remember hoping I would see his wife occasionally, and I would, at the school’s music performances! I could always spot her in the audience with her beautiful smile and a bow in her hair.
Years and years later as I an adult I reconnected with the couple and was touched they remembered me. Mr. and Mrs. Hurt walked into a restaurant I was working at and we greeeted each other. She was so cute saying “hug, hug, kiss, kiss” as we embraced. Mrs. Hurt was so happy to hear I was still singing, and was elated when I told her I was performing full time. I would email her videos from different gigs and she was always so kind and supportive in her replies. On occasion, she and Mr. Hurt would come see me perform and we would always snap a picture together.
The last few gigs I saw Mrs. Hurt at were last year at Fort Ligonier Days and then a random gig at Seven Springs as she and her husband were celebrating their wedding anniversary. She always hugged me and told me how proud she was of me while cheering me on and dancing. It’s always such a compliment when a former teacher you looked up to shows up to your “office.”
I’ll miss this woman so much, whether it’s bumping into her in town or at a gig. After Mr. Hurt called and asked me to sing for her funeral, I came across this random photo from Fort Days 2016. I remember running into her and she insisted on a photo. I also remember not wanting to take a picture because I had gained so much weight and was feeling terrible about myself at that time. But I smiled for the camera and hugged my former teacher. I think she knew my self esteem was low that day because she told me how beautiful she thought I was. I’ll always remember how good she made me feel, and that’s why I love this picture (and why I didn’t crop any part of me out).
I know I’m not the only student who has such fond memories of her, but I feel so privileged reconnecting with her as an adult. The next time I sing “Unchained Melody” or “Blue Eyes Crying In The Rain,” I will always think of Mrs. Hurt.
Mrs. Hurt was one of the neatest, funniest, sweetest (and prettiest... wow, I remember wanting blond hair, pink lipstick, and a wardrobe like hers) ladies I’d ever come across. She had some cool ways of teaching us, and I credit her for me knowing my state capitals. She had cleaver ways of remembering things: “Juno (d’you know) the capital of Alaska?”
In junior high her husband was my vice principal, Mr. Chuck Hurt. I remember hoping I would see his wife occasionally, and I would, at the school’s music performances! I could always spot her in the audience with her beautiful smile and a bow in her hair.
Years and years later as I an adult I reconnected with the couple and was touched they remembered me. Mr. and Mrs. Hurt walked into a restaurant I was working at and we greeeted each other. She was so cute saying “hug, hug, kiss, kiss” as we embraced. Mrs. Hurt was so happy to hear I was still singing, and was elated when I told her I was performing full time. I would email her videos from different gigs and she was always so kind and supportive in her replies. On occasion, she and Mr. Hurt would come see me perform and we would always snap a picture together.
The last few gigs I saw Mrs. Hurt at were last year at Fort Ligonier Days and then a random gig at Seven Springs as she and her husband were celebrating their wedding anniversary. She always hugged me and told me how proud she was of me while cheering me on and dancing. It’s always such a compliment when a former teacher you looked up to shows up to your “office.”
I’ll miss this woman so much, whether it’s bumping into her in town or at a gig. After Mr. Hurt called and asked me to sing for her funeral, I came across this random photo from Fort Days 2016. I remember running into her and she insisted on a photo. I also remember not wanting to take a picture because I had gained so much weight and was feeling terrible about myself at that time. But I smiled for the camera and hugged my former teacher. I think she knew my self esteem was low that day because she told me how beautiful she thought I was. I’ll always remember how good she made me feel, and that’s why I love this picture (and why I didn’t crop any part of me out).
I know I’m not the only student who has such fond memories of her, but I feel so privileged reconnecting with her as an adult. The next time I sing “Unchained Melody” or “Blue Eyes Crying In The Rain,” I will always think of Mrs. Hurt.
10/10/2017
Double Header
with Joe Golden
For the second year in a row, I played with Joe Golden at Somerset Trust’s Customer Appreciation Event. We had a great time playing twice that day!
10/09/2017
New Solo Logo
My talent uncle, Keith West of Duh! Comics, makes all of my logos for me, including that stunning gold Jane West logo, my favorite one. Here’s his latest one he’s created for me, I love it!
10/07/2017
Find me on YouTube
Not East Music
This evening I played with Joe Golden, acoustic guitar hero and luthier. Here’s our tribute to Tom Petty, may he Rest In Peace.
10/05/2017
Follow me on Instagram!
@noteastmusic
Thanks to the power of social media, today I came across this terrific photo from Reyna's Pepper Festival in Allison Park back in September. This was snapped with my best friend, Nikki, after my solo set at White Oak Farms. We had a great time and perfect weather that day!
10/05/2017
Just announced from
Oliver's Pourhouse
Oliver's Pourhouse just announced their October dates and West Holliday Trip will be playing on the 21st of this month. Sometimes we go by names other that WHT, this time it's with one "L" in Holliday. Whatever works, right?
10/04/2017
Evening off with Eddie Izzard at Pittsburgh's Byham Theatre
Tonight I spent my time off away from the music world and went to see Eddie Izzard. I saw and met him years ago at the same theatre on his "Sexie" tour and was glad I got to see him on his last tour this evening. Being in the second row was pretty swell too. I didn't get to meet him this time, but the first thing he said was, "Pittsburgh. The French & Indian War. You've got a lot of Forts," so I feel like I have some kind of crazy connection with my favorite male lesbian. On his "Sexie" tour he was sponsored by MAC Cosmetics, the company I worked for at the time (and had to give him my card, of course). Once again, my family can't escape F&I War, I should send him a copy of Dad's book. If anyone would appreciate it, it's Eddie Izzard.
10/03/2017
Check out my YouTube channel.
Onward with my Gillian Welch obsession. It's been a rough week, even though it's only Tuesday. Yesterday was national tragedy and today tragedy hit us locally. Truly hard times right now, that I barely got through this take. But like the song says, "hard times ain't gonna rule my mind no more."
10/03/2017
Follow me on Twitter
@noteast
Looking forward to a better day than Monday. Maybe turn away from the phone and focus on the tasks ahead.
10/02/2017
Follow me on Instagram @noteastmusic
My friend Bella keeping me company during Sweet Judys rehearsal. Our next show is January 13th, 2018 at The Oaks Theatre in Oakmont. More info soon to follow!
10/02/2017
Thoughts After Waking Up To Las Vegas Music Festival Tragedy
Experiencing live music is different for everyone:
It's a second date at a small theatre sitting together in a box seat with his arm around your shoulders, your nerves melting away while the music plays.
It's buying tickets for an indie group you know your best friend loves, but you don't really know much about that group and you go anyway because that's what BFFs do and you end up loving the music anyway.
It's tagging along with a group of 20 or more people who have been following THEE tour of the year and you feel like you're getting a taste of the "touring" life for one day.
It's being introduced to an entire world of music from just one artist your brother got your into, reminding you that you should have been listening to this music for years.
It's pre-gaming you did for shows in parking lots or bars with your friends before heading into a venue so that you didn't have to spend your t-shirt and poster money on bad beer. You realize years later that you can save that money and enjoy the show better WITHOUT pregaming. Plus, the drive home is much easier.
It's working a concert in college for a national act and the lead singer is drunk after the show and grabs your boobs, then steals your fancy iron your mother bought you for Christmas.
It's going to a concert with someone you barely know and now you end up "liking" most of her posts on Facebook because she has awesome taste in music.
It's running into famous people at a venue when you're meeting up with your college friend and try to causally get a picture with all of you in it.
It's the opportunity of meeting your favorite musician, or being pulled onstage and SINGING with your favorite musician.
It's the best concert you may have ever attended, or at least, it felt like it at the time, because you sat alone in the second row in front of a living legend, playing his violin to what felt like only you, and your heart grew so much that you bawled your eyes out for 15 minutes in the car before you could drive home. It was your therapy.
All of these concert experiences have happened to me, I tried to focus on the positive ones. There was really only one scary concert incident in particular, and 2 people died. It was awfully close to my tent at a festival; my group and I were shaken up more than I can say, but man, were we lucky that we were okay. I cannot imagine something as awful as what happened in Las Vegas last night/ this morning.
Live music is personal to each of us, whether we attend shows as guests, perform as artists, sell merchandise, scan/tear ticket stubs, or are the restroom attendant. It doesn't matter the venue, it doesn't matter the size, it doesn't matter the artist, it doesn't matter the audience: EVERYONE should be able to leave any musical experience the way they came in: excited and, more importantly, alive.
It's a second date at a small theatre sitting together in a box seat with his arm around your shoulders, your nerves melting away while the music plays.
It's buying tickets for an indie group you know your best friend loves, but you don't really know much about that group and you go anyway because that's what BFFs do and you end up loving the music anyway.
It's tagging along with a group of 20 or more people who have been following THEE tour of the year and you feel like you're getting a taste of the "touring" life for one day.
It's being introduced to an entire world of music from just one artist your brother got your into, reminding you that you should have been listening to this music for years.
It's pre-gaming you did for shows in parking lots or bars with your friends before heading into a venue so that you didn't have to spend your t-shirt and poster money on bad beer. You realize years later that you can save that money and enjoy the show better WITHOUT pregaming. Plus, the drive home is much easier.
It's working a concert in college for a national act and the lead singer is drunk after the show and grabs your boobs, then steals your fancy iron your mother bought you for Christmas.
It's going to a concert with someone you barely know and now you end up "liking" most of her posts on Facebook because she has awesome taste in music.
It's running into famous people at a venue when you're meeting up with your college friend and try to causally get a picture with all of you in it.
It's the opportunity of meeting your favorite musician, or being pulled onstage and SINGING with your favorite musician.
It's the best concert you may have ever attended, or at least, it felt like it at the time, because you sat alone in the second row in front of a living legend, playing his violin to what felt like only you, and your heart grew so much that you bawled your eyes out for 15 minutes in the car before you could drive home. It was your therapy.
All of these concert experiences have happened to me, I tried to focus on the positive ones. There was really only one scary concert incident in particular, and 2 people died. It was awfully close to my tent at a festival; my group and I were shaken up more than I can say, but man, were we lucky that we were okay. I cannot imagine something as awful as what happened in Las Vegas last night/ this morning.
Live music is personal to each of us, whether we attend shows as guests, perform as artists, sell merchandise, scan/tear ticket stubs, or are the restroom attendant. It doesn't matter the venue, it doesn't matter the size, it doesn't matter the artist, it doesn't matter the audience: EVERYONE should be able to leave any musical experience the way they came in: excited and, more importantly, alive.
10/01/2017
October Shows Announced
I'm trying something different with the change of the month and season. Blogging, online journaling, updating, ranting, whatever you'd like to call it.
